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| The
old ones are the best... a couch potato's rough
guide to culture |
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At Tribal Training in Canterbury we recently
spent some time looking at what's going on in
our culture around us - you know, the sort of
thing that intellectuals call 'postmodernism.'
(Whats the definition of an intellectual? Someone
you can leave in a room with a tea-cosy and they
won't try it on!)
As well as doing all the grey-beard stuff about
the global village, cyberspace, consumerism, metanarratives
etc, we also took a look at five popular videos
from the late 90's, all conveniently sitting on
my shelves at home, that shed quite a bit of light
on what's going on around us.
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| THE
FULL MONTY |
| The story isn't just one of people losing their
jobs and getting their kit off. Actually its got
loads to say about changes in society, what people
are calling the 'post industrial' age - instead
of steam power and the industrial revolution we've
got computer power and the Microsoft revolution.
The film tracks these changes through the group
of guys and their whole attitudes and outlook on
life: gender roles and childcare, sexuality, self
image, social role etc.
But this sort of culture doesn't simply mean
we get better and faster playstations! It has
impacts on society and relationships around us:
Relationships matter. In a world of technology,
internet cafes and IT, the film talks about a
group of guys who find relationships by simply
chilling together Technology is great but relationships
seems to be where they find meaning, hope etc.
Communication matters. We have
the dubious distinction of being able to communicate
more but say less than any civilisation in history.
While we have learned how to put a man on the
moon and talk to him while he is there, we hardly
know how to talk to one another in a meaningful
manner when we are in the same room!
Tesco ergo sum? In a society which
says 'find your identity in what you buy' or 'you
are what you do', what about if you've lost your
job? Particularly for blokes in our culture, this
question of identity is really key.
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| THE
BIG BREAKFAST |
Forgive
me, I don't mean the Big Breakfast 2001, which is
about as entertaining as sticking your fingers in
the national grid and counting to 50. But sitting
on my shelf is a compilation of stuff from the heyday
of Johnny Vaughn and Lisa Tarbuck, saviours of breakfast
tele of the late 90s.
For the last 500 years or so we've lived in a
world dominated by print. Since Gutenberg in 1438
decided to save himself a bit of dosh and time
and bootleg a few Bibles we've lived in a world
driven by literacy. But in 2001 for print and
literacy read (?!) multi-media technology. This
will change the ways we think, communicate and
learn. Goodbye print, hello STYLE.
So what's going on?
shift from word to image... if
you watch the Big Breakfast or other similar programmes
carefully image is everything.... Try the news.
2 second max camera shots, upbeat music, smiley
presenter, bright graphics, all the same whatever
the news item, be it national disaster, football
scores or Posh'n'Becks.
style not content driven... Watch
the Big Breakfast or similar programmes and you
probably won't remember much a few hours later.
The appeal is in the style, not the content....
Contrast this breakfast offering with, say, Radio
4's Today Programme!
what about the Church? To be honest
much of my experience of church is much more Radio
4 than Big Breakfast. Even so-called cutting edge
churches tend to be a mixture of Radio 2 and GMTV,
a kind of scary combination of Terry Wogan and
Fiona Philips. What can we learn from the image-driven
and style-conscious stuff like the Big Breakfast
about communicating in our contemporary culture?
In particular how might this impact our worship?
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| STAR
TREK: The Original Series vs The Next Generation |
OK,
I admitit, I'm a trekkie, or at least used to be
until kids appeared on the scene and the nearest
we get to the starship enterprise is when my daughter
throws toys at me across the room. The difference
between the Original Series (TOS) - Kirk, Spock
et al - and Next Generation (TNG) - Pickard, Ryker
etc - shows loads about whats going on in culture,
and the change from what people call 'modernity'
to 'postmodernity.' Its not just about better special
effects, but about deeper stuff going on in culture.
The Original Series reflected the culture of
late modernity, ie the 1960s or so. The message
was obvious. We must overcome our differences
and join forces to complete our mandate, the quest
for objective knowledge of the entire universe.
They were helped along particularly by Spock,
the only non-human member of the crew. He was
the ideal modern man, completely rational, and
without emotion, or at least very good at holding
his emotions in check. The key to solving problems
was for Kirk to get the babe and for Spock to
be utterly rational and solve the problem.
TNG
- 30 years later - was totally different. In particular
good old rational Spock is replaced by an android,
Data. He is capable of amazing intellectual feats,
but all he really wants is to become human, a
sense of humour, to have emotions, to dream etc...
The other key member of the crew is Deanna Troi,
who can perceive the hidden feelings of others.
This sort of change echoes the changes in society
over the last decades:
Things can only get better?...
In, say, 1900 there was a feeling that science
and technology would change the world. But given
world war, atomic bombs, ecological breakdown,
Nazism etc we don't trust this any more. In 2000
instead of massive optimism we had the Millennium
bug instead, and a great deal of cynicism that
much in the world was going to change.
This is my truth tell me yours...
What is truth? Spock was searching for truth and
reality, but Data wants to become human. Truth
in our culture is becoming "agreement amongst
everyone who is in the room at the time....."
Gen-Xers are not Spocks but Datas, searching not
for some objective truth through the triumph of
science but to know what it is to be human, what
it is to live, love, feel, experience.
What is community? The original
series was full of strict hierarchy, a bit like
the United Nations, where it wasn't cool to make
friends with Klingons or hang out with Cardassians.
Next Generation, and even more so DS9 and Voyager,
there is no such hierarchy, and community is much
more one of tolerance, networking and friendships
between all types of people and race in a sort
of inter-galactic 'Friends'.
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| PEPSI
ADVERTS |
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Its
staggering to think that the average 10 year old
will have watched 80,000 adverts. And in case
you were wondering, big businesses wouldn't spend
billions of pounds a day on advertising if it
didn't work!
We live in a world which is getting smaller.....
'the global village'. I've drunk Pepsi in bars
in England, service stations in America and in
remote fields in the Himalayas, where Pepsi has
arrived in town before reliable electricity, clean
running water or basic education. You can eat
MacDonalds in Canterbury, London, Paris, New York,
Cape Town and Bombay, all with the same packaging,
logos, twin arches, style and the obligatory 'would
you like fries with that......?'
But alongside the world coming together communities
are tearing themselves apart. There have been
over 200 wars since 1945 worldwide, and the forces
of tribe, race, class, religion, region and nation
are leading to strife left right and centre.
So what's it all about?
Identity? What are the values of the global
culture? The gospel according to Pepsi seems to
suggest that drinking their drink will make you
an instant babe magnet. It didn't work with me
when I was single.... Against this gospel comes
Jesus who tells us we're not what we wear, drink,
smell like, or buy, but we're destined to be children
of God.
Inequality. This isn't the place to get
into the global free market, but there is a massive
divide between the haves and the have nots, and
a rich-poor divide on the scale of the grand canyon.
Community-breakdown. We may live in a
'global world' but communities are breaking down.
MTV culture may draw people together globally
but it doesn't help build community where people
are, or help them deal with their sense of alienation,
or feeling like a lost generation. People want
to belong....!
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| THE
TRUMAN SHOW |
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In
loads of ways The Truman Show summed up much of
the culture of the late 90s. Living in a consumer
society. Pleasure and image is everything. The
power of the media. A growing cynicism towards
the establishment. But alongside this is a searching
for spiritual reality.
Now, don't get too carried away. Yes, there are
some Christian links in Truman, particularly with
Christof, the God-type creator guy, although to
be honest he is more like the man on the moon
than the Almighty. But I still think that the
film got to the heart of the cry a lot of people
are saying - show us reality! Don't let anyone
tell you we're living in a secular society.....
it may be post-Christendom, but its not post-spiritual.
A strategically placed poster in Mulder's office
shows a flying saucer and the words "I want
to believe." As do many.
But before you get too excited about the renewed
interest in religion you'd do well to note that
the emerging culture's exploration of spirituality
is in many ways a reaction against institutional
Christianity as it has always been experienced
by many. While the Church might seem to be out
of date, God is in the house:
interest in spirituality
. OK, not
everyone you stand next to at a party is going
to want to hear your testimony, but it is much
more possible to talk of the afterlife, religious
experiences, spiritual manifestations and one's
own spiritual journey etc without the kind of
negativity or embarrassment which has sometimes
greeted such discussion
non-Western faiths
. i.e. interest
in Hinduism, New Age beliefs etc. Also native
spirituality etc
pic-n-mix religion
. I love the story
that a newspaper picked up a few years ago. In
1998 Sarah Ferguson began hosting a series of
daytime TV chat show programmes in the UK. Here
is how a commentator of the Times described it:
"The Duchess of York confided to us, in her
introduction, that her personal recipe for spirituality
consisted of taking bits from various religions
and mixing them together - a process she compared
to that of mixing ingredients to make a cake
.."
Noting that not all ingredients would necessarily
mix well, the writer couldn't resist pursuing
the analogy: "viewers with long and excitable
memories probably couldn't help but wonder if
Sarah Ferguson's cake was maybe half baked."
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